Self-Portrait Lino Print by Steve Bennett

Steve Bennett, aka Jagger Studio, is a graphic designer, artist and printmaker in Leeds, who did this linocut self-portrait for his new business card design. It’s a reduction print with four colors: orange, yellow, sky blue, and a darker blue. He made a mask on the linoleum block with tape to print the orange background, and I really like the effect that layer adds to the overall image.

Lino Print self-Portrait by steve Bennett

Lino Print self-Portrait by steve Bennett

Steve wrote a recent blog post about his method, which I encourage you to read. It’s useful if you want to learn a bit about masking and using an iPad in planning a print.

creating a mask on the Linoleum block

creating a mask on the Linoleum block

You can see other versions of Steve’s self-portrait on Instagram. He’s also done some excellent portraits of musicians like Thom Yorke and David Bowie.

Photos Courtesy of Steve Bennett

Koi Fish Reduction Linocut Print by China

San Francisco-based artist, China, wrote a nice blog post about her step-by-step process of making a reduction linocut print. When you see a finished reduction print it can be hard to deconstruct it in your head and figure out how it was made. She documented the many steps with photographs, which helps visualize this printmaking technique. Printmakers who want to try this method of making multi-color prints will find this helpful.

Five-Color Koi Fish Reduction Linocut Print by China

Five-Color Koi Fish Reduction Linocut Print by China

She started off by drawing her koi fish design on the linoleum block with a Sharpie. China’s print has five colors, which were printed in the following order: yellow, orange, red, a blue gradient roll, and black. The limited edition of ten prints was made on Rives BFK paper.

Check out China’s blog post for more details about making this reduction linocut, as well as her website, which has galleries of her work.

Photos courtesy of China

Making a Lino Carving Tool from an Umbrella Rib

Raymond W. Perry was a Lecturer at the Rhode Island School of Design when he wrote Block Printing Craft, which was published in 1938. It’s a pretty comprehensive book that I’ve been browsing and his instructions on making a gouge from an old umbrella caught my eye.

With a file, cut a section 3 1/2 inches long from an old umbrella rib. A file is used for cutting, as tinners' snips would squeeze the rib together at the point of cutting. Point one end with a file and drive this end into a short handle. A small hole should be started in the handle to avoid splitting the wood. Care should be taken to have the steel perfectly straight and secure in the handle. The black enamel on the rib may be removed with fine sandpaper. Shape the cutting end with a fine file and then sharpen on a stone. If convenient, have the steel tempered, although it is not necessary. An umbrella rib makes a most satisfactory tool and it can be made in fifteen minutes. (Perry 83).

But, really, could you? Would it carve and could you do it in 15 minutes? I decided to give it a try and grabbed an old umbrella I’d been meaning to retire.

Umbrella ribs are the long, thin metal pieces that extend out and provide the umbrella’s structure. I started the process by snipping one of the metal ribs with a wire cutter and cut it to size with a hacksaw. The end was a little jagged so I filed it down and started sharpening it with a wet stone.

Source: Perry, R. W 1883-. (1938).  Block Printing Craft . Peoria, Ill.: The Manual arts press. This book is in the  public domain .

Source: Perry, R. W 1883-. (1938). Block Printing Craft. Peoria, Ill.: The Manual arts press. This book is in the public domain.

The next, and toughest, challenge was finding an appropriate handle. I thought I might give a cork a try but couldn’t find one. After trying a few other options with no success I tried jury rigging one of my Speedball linoleum cutter handles. I cut my umbrella rib segment down to the length of a Speedball interchangeable blade, inserted it into the handle, and found a way to tighten it in place by squeezing in a few small extra rib pieces. It wasn’t pretty.

I spent a little more time sharpening the end of the homemade blade and gave it a go on a scrap piece of linoleum. Needless to say, it didn’t carve very well but I could make simple marks in the block. If you were a master sharpener, I bet you could dramatically improve the tool. And, for the record, it took a lot longer than 15 minutes!

Lino Carving Tool Made from an Umbrella Rib

Lino Carving Tool Made from an Umbrella Rib


Source: Perry, R. W 1883-. (1938). Block Printing Craft. Peoria, Ill.: The Manual arts press. This book is in the public domain.